建筑設計：MVRDV事務所
建筑師: MVRDV, Rotterdam and ADEPT, Copenhagen
設計團隊：Winy Maas, Jacob van Rijs and Nathalie de Vries with Fokke Moerel, Mette Rasmussen, Julius Kirchert, Klaas Hofman, Francisco Pomares, Armor Gutierrez Rivas, Buster Christensen, Attilio Ranieri, Chris Green, Kate van Heusen, Henryk Struski, Emanuela Gioffreda, Raymond van den Broek, Sanne van der Burgh, Karl Johan Nyquist, Maria Lopez and Kasper Albrektsen.
設計年份：2009-2016年
項目名稱：KuBe House of Culture and Movement
項目位置：Frederiksberg, Denmark
項目：4000平方米社區中心，包括展覽空間，演出大廳，健身中心，圖書館，學習區，運動大廳，瑜伽區，咖啡廳，廚房，游樂區，零售，辦公，停車，操場和公園
占地3200平方米的Ku.Be文化運動中心是為弗萊德里克斯堡市政府設計的項目。它作為一個焦點，將為當地社區和泛哥本哈根區域服務。居民可以獲得這里的所有權，而項目的功能也會根據用戶的直接需求而改變。這個項目定義了一種新的建筑類型；它直接回應了極為簡要的項目要求—塑造一個可以把人們聚在一起的建筑，改善人們的生活質量。MVRDV和ADEPT在它們的回答中，將劇院、運動和學習的功能交織于同一空間里，讓不同年齡、能力和興趣的人們都可以來這里鍛煉身心，進而推崇更健康的生活方式；它也通過設計，為社區創造了新的人際關系紐帶。
The 3200 m2 Ku.Be House of Culture in Movement was designed for the municipality of Frederiksberg as a focal point for both the immediate community and also the wider area of Copenhagen; one that the people themselves could take ownership of and that would evolve its programme based on the specific wants and needs of its users. The project is a new typology, developed out of the response to a brief that solely asked for a building that would bring people together and improve the quality of life. In reply MVRDV and ADEPT answered with one that blends theatre, sport and learning into a space where body and mind are activated to promote a more healthy life for everyone, regardless of age, ability or interest; creating links between people that wouldn’t otherwise connect with each other.
Ku.Be由六個承載著不同功能的主要體量構成。每個體量都被賦予獨特的顏色和材料，在建筑內部清晰可辨；在建筑外部，也可以透過分割磚立面，隱約看到這些形狀。“我們設計Ku.Be，就是希望激發意想不到的體驗”，MVRDV的共創人Jacob van Rijs這樣解釋道。“較大的體量適合舉辦演出和舉行公共會議，小型的空間則可用于展覽和辯論。快節奏風格的房間非常適合跳舞和跑酷；帶有禪意氛圍的房間則適合瑜伽或冥想，形成對比。連接兩者的體量將成為最有意思的空間；我們的設計對空間用途稍做暗示，但是真正的使用方式則將完全由用戶做主。”
The six primary volumes which make up Ku.Be, each with their own programme, are clad in a unique colour and material, clearly defining them within the building; from outside these shapes are hinted at in the fragmented tile façade. “We designed Ku.Be to encourage the unexpected,” explains MVRDV co-founder Jacob van Rijs. “Larger volumes are suited to hold performances or public meetings, smaller ones can be for exhibitions or debates. The fast-pace rooms are perfect for dance, or parkour; and zen rooms give you the contrast of yoga or meditation. It’s between these volumes where the real fun will happen though; spaces where we hint at a use, but which will become entirely user-defined.”
穿越建筑的路徑注重發展和鼓勵不同形式的流動。從二樓到三樓，“迷宮”迫使人們手腳并用攀爬穿越一組三維立方體；他們也可以選擇走一個豎向迷宮“捕鼠夾”。一張大網貫穿幾層樓，用戶在層與層之間可以爬上爬下——懸于空中；滑梯和消防鋼管提供了一種快速下樓的途徑。“在Ku.Be，我們試圖完全突破建筑中的傳統體驗，”ADEPT的共創人Martin Krogh說。“本來在建筑中簡單盲目的行走，在這里變成了對運動的探索和發現。你可以按照喜歡的方式來進行探索，攀、滑、爬……甚至跳。”為了適合不同年齡階層和個體情況，我們提供了簡單和標準兩種不同選擇；盡管如此，Ku.Be仍很好地保持了視覺上的承接。”
The route through the building focuses on developing and encouraging alternate forms of movement. The Labyrinth gets people on their hands and knees climbing through a three dimensional network of cubes from the second to third floors; or alternatively they could take the Mousetrap, a vertical maze. A net which spans several floors throughout the building, lets users climb up from floor to floor – suspended over the voids – and slides and fireman poles offer a fast way to get back down. “In Ku.Be we tried to turn your average experience of a building on its head,” tells ADEPT co-founder Martin Krogh. “What would otherwise be a simple, mindless journey through the building turns into an exploration and discovery of movement. Here it’s you that defines the route, however you want: climbing, sliding, crawling … jumping.” To cater for all abilities and ages, both easier and more standard ways of moving around are provided but even then a visual connection is maintained throughout Ku.Be.
連接Ku.Be和城市的都市花園對八個體量和其內部活動的表達，起到了重要作用。變化的聲音、燈光和氣味構成了微縮景觀系統，與自帶滑梯的“山坡”無縫融合；這些多樣化的景觀一直延伸到花園和圓形劇場。
The urban gardens outside form the connection between Ku.Be and the urban realm, playing an important role in expressing the eight volumes and the activities happening inside. The diverse landscape–a system of microclimates with changing sounds, lights and scents which blends seamlessly into a hill with integrated slides–reaches out into the gardens and ends in an amphitheatre outside.
作為弗萊德里克斯堡城市景觀的延伸，這個文化和運動中心將在一定程度上起到整合社區的作用，并有望成為社區未來發展的孵化器。
By becoming an extension of the urban landscape of Frederiksberg and integrating the community to such an extent, the House of Culture and Movement looks to become an incubator for further development within the neighbourhood.
Ku.Be是MVRDV在丹麥完成的第三個項目。今年四月，位于附近城市Roskilde的搖滾博物館開幕，它是一個集青年文化、流行和搖滾音樂為一體的博物館。2005年，由兩個舊糧倉改成的Frøsilos住宅，在哥本哈根建成。除了Ku.Be項目，ADEPT在過去幾年中還完成了多個文化和教育建筑，包括了瑞典Falun的Dalarma媒體圖書館，丹麥Odense的Cortex，以及丹麥Aalborg的UCN。
Ku.Be is MVRDV’s third completed project in Denmark. Ragnarock, a museum for youth culture, pop and rock music opened in April of this year in nearby Roskilde and the Frøsilos, a conversion of two old silos into housing, was completed in Copenhagen in 2005. Aside from Ku.Be, ADEPT has completed a number of cultural and educational buildings within the last few years. Among these are Dalarna Media Library in Falun, Sweden, Cortex in Odense, Denmark and UCN in Aalborg, Denmark.
MVRDV和ADEPT在本項目上的合作方包括：Soeren Jensen工程公司為這一前衛建筑提供了復雜的結構性工程支持；SLA景觀建筑師事務所設計了Ku.Be周邊的都市花園；Max Fordham有限公司確保了建筑內部環境的舒適。Realdania和LOA（Lokale- & Anlægsfonden）為Ku.Be的建成做出了重要貢獻。
MVRDV and ADEPT achieved the project through close collaboration with: Soeren Jensen Engineers who provided the complex structural engineering to support the visionary architecture; SLA landscape architects, who designed the urban garden surrounding Ku.Be ; and Max Fordham LLP to achieve environmental comfort throughout the building. Ku.Be was made possible by major contributions by Realdania and LOA (Lokale- & Anlægsfonden).
